Ars longa

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Ars longa

Bridget Riley (and others) at Compton Verney

Op-art as a movement became questionable – said a note on the wall – because it was too readily accessible.

Well, whoever those sour faced guardians of the difficult and obscure were, they were quite right. The gallery at Compton Verney yesterday was full of people exploring the optical effects of the prints and structures and simply enjoying themselves.

It was playful; it surprised and entertained; it involved you in a real exploration the way eyes, brain and body were caught up in the artist’s constructions. There was – to me – an unexpected delight in the absolute precision of it all – a wondrous meeting point between art, science and engineering.

The only downside was that, after an hour or more, you felt you needed something solid and ordinary to rest your eyes and get your balance back.

No photographs were allowed except of this magical installation by Liz West that gave us rainbows for shadows and, as you moved around, seemed to conjure new colours out of nothing at all. You had to be there – but in lieu, here are photos and an explanation of how the effect was achieved:

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OLYMPUS DIGITAL CAMERA

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OLYMPUS DIGITAL CAMERA
Bridget Riley (and others) at Compton Verney

Hot from the scriptorium

I came across a fabulous collection of images culled from medieval manuscripts over on Storify yesterday.

Here’s a sample, but it’s definitely worth looking at the rest:

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Adam eats something tha disagrees with him.
Adam eats something that disagrees with him.
Love this. Heaven knows what's going on though.
Love this. Heaven knows what’s going on though.
This makes me think of Prime Minister's Question Time for some reason
This makes me think of Prime Minister’s Question Time for some reason
A changing room at the medieval equivalent of M&S?
A changing room at the medieval equivalent of M&S?


Hot from the scriptorium