Listening to one of @backlisted podcasts (about Pierre Bayard’s book – How to talk about books you haven’t read)
This was quoted and I thought it was much more helpful than the catch-all ‘tsundoku‘. There are:
Books You Haven’t Read
Books You Needn’t Read
Books Made for Purposes Other Than Reading
Books Read Even Before You Open Them Since They Belong to the Category of Books Read Before Being Written
Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered
Books You Mean to Read But There Are Others You Must Read First
Books Too Expensive Now and You’ll Wait ‘Til They’re Remaindered
Books ditto When They Come Out in Paperback
Books You Can Borrow from Somebody
Books That Everybody’s Read So It’s As If You Had Read Them, Too
Books You’ve Been Planning to Read for Ages
Books You’ve Been Hunting for Years Without Success
Books Dealing with Something You’re Working on at the Moment
Books You Want to Own So They’ll Be Handy Just in Case
Books You Could Put Aside Maybe to Read This Summer
Books You Need to Go with Other Books on Your Shelves
Books That Fill You with Sudden, Inexplicable Curiosity, Not Easily Justified
Books Read Long Ago Which It’s Now Time to Re-read
Books You’ve Always Pretended to Have Read and Now It’s Time to Sit Down and Really Read Them”
By the way, I can’t recommend Backlisted too highly – real, joyous, informed conversations about books. I haven’t listened to one that hasn’t had me scribbling down a title or shouting out noisy agreement.
Powerful blog post on language, truth and the possibilities of poetry here from Mona Arshi.
And if there is one thing history has taught us it’s that language can be deployed to otherize people and groups. A poem is not a human rights instrument or the pleadings in a court case, nor should it seek to be, but one activity that the human rights lawyer and poet share is the restless interrogation of language. What happens in the post-truth toxic waters, where language in politics becomes untethered from critical reason? Poetry needs to continue to strive to make space for itself and think the unthinkable, the unimaginable on the page.