Slow I know, but I have just caught up with the fact that a Trinidadian poet, Vahni Capildeo, won last year’s Forward Prize for Poetry for best collection.
This, from a Guardian article, is what the chair of judges said:
Capildeo’s collection [is] “a book you will forever be opening”.
“She is trying to articulate something quite hard to pin down and isn’t afraid to boldly take risks in language and layout,” Booker said. “It is a book that no one else could have written; it is her DNA, her stamp. Every time you open that book, you’ll find something peculiar, something exhilarating, something new, something exquisitely crafted.”
“[Measures of Expatriation] is almost like a swan – calm on top of the water, and underneath it is pedalling furiously, to create a new vocabulary in terms of the layout and language used, the lexicon it uses.”
One of the commenters underneath the article linked to this lovely short of Vahni reading three of her poems.
Dark and Unaccustomed Words from Riposte Pictures on Vimeo.
Useful website here with information about who is negotiating and a little about issues at stake too. It would be nice to have this for the UK as well, no?
Source: Taskforce on Article 50 negotiations with the United Kingdom | European Commission
Telling letter in a recent LRB from Sarah Walker, describing the proportion of women reviewers, writers and poets in the paper as well as the numbers of books reviewed. She’s counting them all and says that, in 2017 :
In the five issues of Volume 39 to date, men have made up 78 per cent of the reviewers and used 83 per cent of the total word count dedicated to reviews; 78 per cent of the authors reviewed have been male, with 73 per cent of the books reviewed being written by men. Reviews of books by women average 80 per cent of the length devoted to reviews of books by men. All of the Short Cuts and At the Movies features have been by men; 87 per cent of the letters published have been from men, using 88 per cent of the total word count for letters; 75 per cent of the poets are men and they have supplied 83 per cent of the poems published.
As she wonders, perhaps the preponderance arises because:
women are just that much less interesting, less significant, less likely to publish review-worthy books, less likely to submit work to you, less likely to write to your standards, less likely to write you letters, more terse overall in their expenditure of words. Possibly. But the ratios that appear – 78:22; 73:27; 70:30; 87:13; 67:33; 85:15; 83:17 and so on – are eerily familiar. Research suggests that people perceive men and women – whether in zombie movies, panel games, crowd scenes or business meetings – as equally represented when the male-to-female ratio they are looking at actually hovers around 83:17. They start to regard situations as unduly female-dominated when women approach 30 per cent of those present.
I like the LRB, but it does feel like a bit of a men’s club sometimes. Inexcusable these days.
You can read the whole letter here
Some nostalgia here. This was on the back pages of so many of the comics I’d read as a boy. Was Charles Atlas real? These days, would the skinny youth stay at home crouched over his twitter feed and find other routes to revenge?
Back in 1971 my sister – 11 years old – bought me a book of poetry with a title that would now, I guess, be considered offensive.
It had been published first in 1964 and reprinted in 1969. It cost 4/-. A lot of pocket money in those days. I loved it and still have it on my shelves.
The collection of poems include modern and traditional African verse, some American poets and this – rich, vivid, alert, conscious of both past and present – from Derek Walcott, who has died today: